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Available for online purchase |
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Demo audio available |
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PDF demo score available |
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| Opus #1 |
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3 Impressões para Clarinete e Percussão
(5,30 mins).
For clarinet in Bb and percussion (vibraphone, 5 temple blocks,
2 caxixis, maracas, snare drum, suspended cymbal and 2 tom toms). Composed in Brasilia, 1980 and dedicated to Lucia and Edu Morelenbaum. Published by ECA-USP.
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| Opus #2 |
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Reflexos
For solo percussion (7,30 mins). (vibraphone, xylophone, guiro, 3 wood blocks, tam tam, metal chimes, triangle, 2 susp. cymbals, 4 cow bells, 3 tom toms and bass drum). Composed in Würzburg, 1980. Premier: Hochschule für Musik Würzburg 1980 by the composer. Published by ECA-USP.
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| Opus #3 |
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Cenas Brasileiras No.1 and 2
I) Baião, II) Frevo. (6 mins).
For percussion quartet (marimba, vibraphone, xylophone and drum set). Composed in Würzburg, 1980 . Dedicated and premiered by the "Würzburg Percussion Quartett" in Würzburg, 1981. Published by Pro Percussão.
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| Opus #4.1 |
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Cadencia Para Berimbau
(6 mins).
For percussion quartet (solo berimbau, marimba, congas or bongos and bass drum). Composed in Würzburg, 1981. Premiered at the IV Deutsche Percussion Symposium in Hammelburg 1981, by the composer on berimbau, Mark Glentworth on marimba, Adel Shalaby on congas and Mathias Schmitt on surdo. Published by Pro Percussão BR/USA
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| Opus #4.2 |
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Dueto para Berimbau e Marimba
(6 mins). Arranged in 1994 and premiered at Stadttheater Darmstadt, Germany by the composer on berimbau and Stefan Eblenkamp on marimba. Manuscript/computer
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| Opus #5.1 |
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Variations for Four Tom Toms
(7 mins).
Theme and
6 variations. Composed in Brasilia, 1984 and dedicated to Marco Vidal Donato. Published by Pro Percussão BR/USA
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| Opus #5.2 |
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Sonatina para Caixa Clara
(4,30 mins).
I) Allegro, II) Cantabile, III) Rondó
Composed in Brasília, 1984. Dedicated and premiered by Wellington Claudio Vidal.
Published inside the Complete Method for Snare Drum vol.2. Pro Percussão BR/USA
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| Opus #6.1 |
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Suite Popular Brasileira
for solo marimba (9 mins).
I) Baião,
II) Xote, III) Caboclinho, IV) Maracatú.
Composed around 1982-84 in Brasília and dedicated to Renate Gaubatz. Premier: Hochschule für Musik Würzburg, 1985 by the composer. Published by Music for Percussion Inc. USA
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| Opus #6.2 |
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Brazilian Popular Suite
for percussion ensemble (6-8 players)
(13 mins).
I) Baião, II) Xote, III) Caboclinho, IV) Maracatú. Arranged in 1988 and premiered by Grupo de Percussão da UFSM in Santa Maria, RS, Brazil. Published by Music for Percussion Inc. USA
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| Opus #7 |
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O Sol é Sempre Pontual
(6,30 mins).
For voice, marimba and percussion (3 tom toms, vibraphone and glocken). Arranged in 1983 (original for voice, piano and percussion from 1979). Premier: Teatro Nacional de Brasília,1984 by the composer, Denis B. Torre, tenor and Roberto M. Castro, percussion.
To be Published Pro Percussão BR/USA
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| Opus #8 |
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Samba (Cenas Brasileiras No.3)
(5,30 mins).
Samba for percussion sextet (Tambourine, maraca, shaker, bottle, xylophone, claves, wood block, 2 snare drums, field drum, marimba, vibraphone, cuica, agogo, frying pan, cymbal, pandeiro, 2 tom-toms and bass drum). Composed in Brasília, 1984 and dedicated to George Frock and University of Texas Percussion Ensemble. Premiered at Stadttheater Würzburg, Germany 1984, by the Hochschule für Musik Würzburg Percussion Ensemble directed by Prof.Siegfried Fink. Published by Pro Percussao BR/USA..
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| Opus #9 |
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Sonata Periods of Life (for Vibraphone and Marimba)
(1 player) (12 mins).
I) Dawn, II) Childrens game, III) Chant,
IV) Rondo.
Composed in Brasília,1984. Dedicated to Gabriel G. Rosauro. Premiered by the composer at the Duke Ellington School of Music, Washington, DC, USA,1985.
Published by Pro Percussão BR/USA
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| Opus #9.2 |
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Lied (From Sonata Periods of Life)
for solo vibraphone.
3 rd. movement of the Sonata Periods of Life
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| Opus #10 |
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A Message to a Friend (marimba and vibes or sax or...optional)
(5 mins). for vibraphone (saxofone) and marimba. Composed in Brasília, 1983-87 and dedicated to Mark Lutz. Premier: 1987, Montreal, Canada by Mark Lutz on marimba and Norman de Chenes on sax. Published by Pro Percussão BR/USA
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| Opus #11 |
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Three Preludes for Solo Marimba
4,30 - 5,30 - 5 min.
I) MI MENOR (E minor) - Brasília,1983 (original for guitar,1976). Dedicated to Rose Braunstein. Premier: 1985, Teatro Nacional de Brasília by the composer
II) LA MAIOR (A major) "Pró Villa" - Brasília, 1986. In memory of Heitor Villa Lobos.
III) DO MAIOR (C major) - Santa Maria, 1987-88. Dedicated to Luiz Anunciação. Premier: 1988, I Encontro Brasileiro de Percussão at the UNESP by the composer. Published by Pro Percussão BR/USA.
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| Opus #12 |
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Concerto for Marimba and Orchestra (or Wind Ensemble)
(18 mins).
I) Saudação (Greetings), II) Lamento, (Lament),
III) Dança (Dance) IV) Despedida (Farewell).
Composed originally for marimba and string orchestra in Brasília, 1986. Dedicated to Marcelo G. Rosauro. Premier: 1986, by the composer and Manitowoc Symphony Orchestra directed by Manuel Prestamo. WI, USA.
(Rental Material)
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| Opus #12.2 |
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Concerto for Marimba and Orchestra (piano reduction)
I) Saudação (Greetings), II) Lamento, (Lament), III) Dança (Dance), IV) Despedida (Farewell). Premier: 1986, Teatro Nacional de Brasília by the composer and Ana Amelia Gomide on piano. Published by Pro Percussão BR/USA
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| Opus #12.3 |
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Concerto for Marimba and Percussion Ensemble
Arranged for marimba solo and percussion sextet (Bass marimba, vibraphone, xylophone, glockenspiel, chimes, 5 timpani, drum-set, cow bell, triangle, tambourine, tam tam and cymbals). Premier: I, II and IV movs. in 1989 by the composer and Percussion Ensemble of Meistersinger-Konservatorium Nürnberg, directed by Hermann Schwander. III Mov. was arranged and premiered in 1995 in Manchester, England with Edward Cervenka, soloist and the Percussion Ensemble of the Royal Northern College of Music, directed by Ian Wright. Published by Pro Percussão BR/USA
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| Opus #12.4 |
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Concerto for Marimba and Wind Ensemble
I) Saudação (Greetings), II) Lamento, (Lament), III) Dança (Dance)
IV) Despedida (Farewell). For Solo Marimba and Wind Ensemble
(picc, 2 fl, 2 ob, eng.hn, 2 clar, b. clar, 2 bsn, c.bsn, alt.sax, ten.sax, 2 fr.hn, 3 tpt, 3 tbn, euph, tba, d.bass, timp, 4 perc).
Wind Ensemble version arranged by Dr. Thomas McCutchen.
(Rental Material)
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| Opus #12.5 |
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Marimba Concerto Suite
for solo marimba (5 mins)
Arranged in Miami 2003 and premiered by Brandie Lane at PASIC 2003 in Columbus, OH.
Published by Pro Percussao/USA
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| Opus #13 |
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Cenas Amerindias ( I-Brasiliana, II-Eldorado )
for solo percussion. (4,30 - 5 mins).
I) BRASILIANA (marimba, 5 temple blocks, 3 wood blocks and wood chimes). II) ELDORADO (vibraphone,
4 susp.cymbals, cow bell, triangle and crotale). Composed in Brasília, 1986-87 and dedicated to Prof. Siegfried Fink. Premiered by the composer in 1988 at the I Encontro Brasileiro de Percussionistas at UNESP, Sao Paulo, Brazil. Published by Pro Percussão BR/USA
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| Opus #14 |
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Mitos Brasileiros
for percussion quartet (17 mins).
I) Curupira, II) Iara, III) Saci Perere, IV) Uirapurú, V) Mula sem Cabeça. (bongos, xylophone, wood chimes, thunder sheet, bird whistles, guiro, marimba, snare drum, 3 wood blocks, lotos flute, 2 pans, ocean drum, vibraphone, bass drum, tam tam, field drum, ratchet, auto horn, conga, 5 temple blocks, wald teufel, 4 tom toms, glockenspiel, cow bell, triangle, cuica, whistle, castanets and coconut shell) Composed in Santa Maria 1988 and dedicated to "Percussion Art Quartett" from Germany. Premier: 1989 in Würzburg, by the PAQ. Published by Pro Percussão BR/USA
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| Opus #15 |
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Choro Bachiano
(5 mins). For solo marimba. Composed in Santa Maria 1989 (original theme for guitar from 1976). Premier: 1991, Manchester, England by Gilmar Goulart. Published by Pro Percussão BR/USA
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| Opus #16 |
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Bem-vindo
(7,30 mins). For solo vibraphone (5 mallets). Composed in Santa Maria 1988-89. Dedicated to Ricardo G. Rosauro. Premiered in Rio de Janeiro by the composer (XII Panorama da Musica Brasileira), 1989. Published by Pro Percussão BR/USA
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| Opus #17.1 |
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Rhapsody for Solo Percussion and Orchestra
(30 mins).
Solo percussion (vibraphone, 2 tom toms, snare drum, repinique,
4 susp.cymbals, triangle, 2 cow bell, guiro, castanets, 5 temple blocks, 2 wood blocks, 3 glasses and orchestra (2 Fl, 2 Ob, 2 Cl, 2 Bn, 4 Fr.Hr, 2 Trpt, 2 Trb, Tba,Perc,Timp, Strings). Composed in Miami, 1991-92 in memoriam to the composer`s father Alcides Coelho Rosauro. Premier: 1994, International Percussion Festival in Opole, Poland by the composer and the Opole Symphony Orchestra under the direction of Joseph Herter. Manuscript/computer (rental material)
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| Opus #17.2 |
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Rhapsody for Solo Percussion and Orchestra (piano reduction)
(30 mins). Premiered at the University of Miami 1992, by the composer and Alan Mason on piano. Published by Pro Percussão BR/USA
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| Opus #17.3 |
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Rhapsody for Solo Vibraphone and Percussion Ensemble
(23 mins). for vibraphone and percussion octet (7 players and piano) This piece is an arrangement of the first part of my compositions called Rhapsody for Solo Percussion and Orchestra. Premier: 1994, by the composer and Percussion Ensemble of the Meistersinger-Konservatorium Nürnberg, Germany directed by Hermann Schwander. Manuscript/computer
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| Opus #17.4 |
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Rhapsody for Solo Vibraphone and Jazz Ensemble (Big Band)
(23 mins). This piece is an arrangement of the first part of my compositions called Rhapsody for Solo Percussion and Orchestra. Premier: 2000, by the composer and the Capital University Jazz Band. Manuscript/computer
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| Opus #18 |
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Fred no Frevo
(4,30 mins).
For marimba quartet (optional percussion). Composed in Miami, 1992 and dedicated to Fred Wickstrom. Premier: 1992, University of Miami by Merged Marimbas. Published by Pro Percussão BR/USA
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| Opus #19 |
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Ivitory Retan
(5 mins)
for mixed chorus and percussion ensemble. Composed in Santa Maria, 1993 and dedicated to "Coral da UFSM". Premier: Itaimbé Palace Hotel, 1993, Santa Maria, RS.
Manuscript/computer
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| Opus #20 |
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Variacoes sobre um Tema do Rio Grande
(8,30 min). For marimba solo / Theme and 7 variations. Composed in Santa Maria, 1993 and dedicated to Gilmar Goulart. Premier: 1993, by the composer at Itaimbé Palace Hotel, Santa Maria, RS, Brazil. Published by Pro Percussão BR/USA
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| Opus #21 |
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Prelude and Blues
for solo vibraphone (7 mins). Composed in Santa Maria, 1993 and dedicated to Renato Pereira. Premier: 1995, by the composer at the Royal Danish Music Academy, Copenhaven, Denmark. Published by Pro Percussao BR/USA.
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| Opus #22 |
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5 Cirandas Brasileiras (marimba and vibraphone)
For marimba and vibraphone. (8,30 mins)
Composed in Santa Maria 1994 (original for vibraphone and violin from 1981). Premier: 1994, Vale Veneto, RS, Brazil with Jenny Ottinger on vibraphone and Clarissa Severo de Borba on marimba. Published by Pro Percussão BR/USA
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| Opus #23 |
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Sonata para Marimba Solo
- Work unfinished.
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| Opus #24 |
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Concerto for Vibraphone and Orchestra (or Wind Ensemble)
(19 mins).
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto.
(Fl, Ob, Cl, Bn, 2 Hrns, Perc. and Strings). Composed from the end of 1995 to February 1996. Premier in 1996 at the V ENCOMPOR by the composer and Orquestra Unisinos directed by maestro José Pedro Boessio. São Leopoldo, RS 1996. (Rental Material)
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| Opus #24.2 |
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Concerto for Vibraphone and Orchestra (piano reduction)
(19 mins).
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto. Premier in 1996 in Japan Percussion Festival in Tokio and Osaka by the composer and Misa Nakano on piano.
Published by Pro Percussão BR/USA
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| Opus #24.3 |
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Concerto for Vibraphone and Percussion Ensemble
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto. For solo vibraphone and percussion sextet (marimba, vibrafone, xylophone, glocken, 4 timpani, percussion and drum set). Premiered at PASIC 96 in Nashville, TN, USA, by the composer and the Percussion Ensemble of the Oklahoma State University, directed by Wayne Bovenchen.
Published by Pro Percussão BR/USA
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| Opus #24.4 |
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Concerto for Vibraphone and Wind Ensemble
(19 mins).
For Solo Vibraphone and Wind Ensemble (pic, 2 fl, 2 ob, eng.hn,
2 clar, b.clar, 2 bsn, c.bsn, 2 alt.sax, ten.sax, bar.sax, 4 fr.hn, 3 tpt,
3 tbn, euph, tba, d.bass, timp, 3-4 perc). Arrangement for wind ensemble by Rodrigo Morte and Ney Rosauro (2002).
(Rental Material)
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| Opus #25 |
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Two Brazilian Steel Dances
(12 mins).
For Steel Band (5 parts). Interlúdio, I) Tempo de Baião, Interlúdio, II) Tempo de Samba.
Composed in Santa Maria in June 1996. Commissioned by Dr. John Wooton and the University of Southern Mississipi Steel Band. Premier in 18 of April 1997 in USM, USA.
Published by Pro Percussão BR/USA
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| Opus #26 |
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Japanese Overture
Percussion Ensemble (8 players) (6,30 mins).
Composed in Santa Maria in January 1997. Comissioned by the "Japan Percussion Association". Premiered by the Okada Percussion Ensemble at the 1997 Japan Percussion Festival, Tokyo, Japan. Published by Pro Percussão BR/USA
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| Opus #27 |
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Three Moods
for steel drum solo or marimba 2 mallets (7,30 mins).
I) Baroque, II) Meditative, III) Impacient. Composed in May 1997 in Santa Maria. Premiered by Darren Duerden on steel pan in Hawaii. Published by Pro Percussão BR/USA
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| Opus #28 |
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Seven Brazilian Children Songs
marimba solo
(11,30 mins).
I) A Canoa Virou, II) Ciranda Cirandinha, II) Pirulito que bate bate,
IV) Terezinha de Jesus, V) O Cravo brigou com a Rosa, VI) A Moda da tal Anquinha, VII) Vamos Maninha.
Composed in Santa Maria, June 1997 and dedicated to Clarissa Severo de Borba.
Published by Pro Percussão BR/USA
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| Opus #29 |
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Brazil 500 for Solo Percussion and Orchestra
(Alvorada para o Terceiro Milenio)
in 12 movements (40 mins).
(Pic, 2 Fl, 2 Ob, 2 Cl,
2 Bsn, 4 Fr.Hrns, 2 Trpt, 3 Trb, Tba, Piano, Harp, 3 Perc,Timp. and Strings). Composed in Santa Maria, January.to March 1999. Premiered in Brasilia, June 2000 by the composer and Orquestra do Teatro Nacional de Brasilia directed by Emilio de Cesar. (Rental Material)
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| Opus #29.2 |
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Suite Brazil 500 For Solo Percussion and Piano
In 7 movements (22 mins).
For solo percussion and piano.
To be published by Pro Percussao BR/USA.
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| Opus #29.3 |
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Suite Brazil 500 for Solo Percussion and Percussion Ensemble
In 7 movements. (22 mins).
For 9 players
Published by Pro Percussão BR/USA
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| Opus #29.4 |
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Suite Brazil 500 for Solo Percussion and Wind Ensemble
In 7 movements (22 mins). (Pic, 2 Fl, 2 Ob, Eng.Hrn, Cl. Eb, 4 Cl, B.Cl, 2 Bsn, C.Bsn, 2 Alt.sax, Ten.Sax, Bari Sax, 4 Fr.Hrn, 3 Trpt,
3 Trbn, Euph, Tb, 4-5 Perc, Tmp, D.Bass. Piano, Harp). Arranged in Miami 2001 and dedicated to Gary Green and the U.M. Wind Ensemble. Premiered at the Festival Miami 2001 by the composer and the U.M. Wind Ensemble. (Rental Material)
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| Opus #30 |
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Variations Over Evelyn Glennie's "A Little Prayer"
for solo marimba (13 mins).
Composed in Santa Maria around Sept-Nov.1999 and dedicated to Katarzyna Micka. Premiered by the composer at the festival "Marimba no Terceiro Milenio", Chiapas, Mexico, Dec.1999 Published by Pro Percussão BR/USA.
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| Opus #31 |
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Vibes Etudes and Songs
- First Dampening Etude, Second Dampening Etude, First steps, Etude in Blues, Etude in Bossa, Minor Blues, My Dear Friend (Miami 2001). Published by Pro Percussão BR/USA.
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| Opus #31.2 |
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My Dear Friend (From Vibes Etudes and Songs)
for solo vibraphone. Im memoriam my dear friend Jose Pedro Boessio.
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| Opus #31.3 |
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Querido Amigo (My Dear Friend) for marimba and harp - PDF Format
Arrangement for marimba and harp done fur the duo Arparimba. (Gudrun and Babette Haag). Premiered by the duo Arparimba in 2007 in Germany.
To be published by Pro PercussaoBR/USA
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| Opus #32 |
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Toccata and Divertimento (vibes and guitar or marimba)
For vibraphone and guitar
(or vibraphone and marimba). (8,30 mins). Composed in Miami in December 2000 and dedicated to Igor Lesnic. Marimba and vibraphone version is dedicated to Jeff Moore and Doug Walter. Premiered at the 2001 Music Bienal of Zagreb, Croatia in 04.24.2001, by Igor Lesnic and Goran Listes on guitar. Published by MalletWorks Music, USA.
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| Opus #33.1 |
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Valencia
for solo marimba (5,30 mins).
Composed in Miami 2002 and premiered on June 2003 by the composer at the 3rd. International Marimba Festival in Chiapas, Mexico. Dedicated to Wan Chun Liao.
Published by Pro Percussao BR/USA.
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| Opus #33.2 |
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Valencia for percussion ensemble
for Percussion Ensemble
(12 players) (6,30 mins).
(Glockenspiel, xylophone, vibraphone, chimes, 2 marimbas, B.mar, D.bass, 2 hands clapping or temple blocks, catanets, cajon and drum set). Composed in Miami in 2002 and dedicated to the Ju Percussion Ensemble. Premiered by the U.M. Percussion Ensemble at the PASIC 2002 in Nashville ,TN. Published by Pro Percussao and MalletWorks Music, USA.
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| Opus #34 |
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Concerto No.2 for Marimba and Orchestra (or Wind Ensemble)
(23,30 mins).
For marimba 5 octaves and Orchestra.
I) Water Running in High Mountain II) Reflections and Dreams III) Walking on Clouds. (2 Fl,
2 Ob, 2 Cl, 2 Bsn, 4 Fr.Hrns, 2 Trpt, 2 Trb, Tba, Perc,Timp. and Strings).
Composed in Miami from 06. 2001, to 20.02.2002 (sponsored by a grant from the University of Miami). Dedicated to Keiko Abe. Premiered on Apr. 4th 2003 by Katarzyna Mycka and the Rubinstein Philarmonic Orchestra Lodz/Poland, directed by Dariusz Mikulski. Published by Pro Percussão BR/USA (Rental Material)
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| Opus #34.2 |
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Concerto No.2 for Marimba and Orchestra (piano reduction)
(23,30 mins).
For marimba 5 octaves and Piano.
I) Water Running in High Mountain II) Reflections and Dreams III) Walking on Clouds.
Published by Pro Percussão BR/USA
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| Opus #34.3 |
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Concerto No.2 for Marimba and Percussion Ensemble
(23,30 mins).
I) Water Running in High Mountain II) Reflections and Dreams III) Walking on Clouds.
(Glocken, Xylo, Vibes, Marimba, Timpani, Percussion, Dr.Set, Piano, D.Bass). Premiered on Oct. 8th 2002 in Tokyo with the author and the Toho Gakuen School of Music, directed by Keiko Abe.
Published by Pro Percussão BR/USA
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| Opus #34.4 |
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Suite from Marimba Concerto N.2
for Solo Marimba
- approx. 7 mins. In this piece the main themes from Concerto for Marimba N.2 are used in a way to make it possible to get the musical essence of the concerto performed just for solo marimba without the orchestra accompaniment. Published by Pro Percussao BR/USA.
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| Opus #34.5 |
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Concerto N.2 for Marimba and Wind Ensemble
For Marimba 5 octaves and Wind Ensemble.
I) Water Running in High Mountain II) Reflections and Dreams III) Walking on Clouds.
(Pic, 2 Fls, 2 Obs, Eng.Hrn., 3 Clars, B.Clar, 2 Bsn, C.Bsn, 2 Alt.sax, Ten.sax, Bar.sax, 4 Fr.Hrns, 3 Tpt, 3 Trbn, Euph, Tba, B.bass, Timp, 3 Perc).
Published by Pro Percussão BR/USA
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| Opus #35 |
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Two Reflections for Solo Vibraphone (Brazilian Landscape
and Reflections on the New World)
For solo vibraphone. (5,30 - 6,30 min.) Brazilian Lanscape comes from a improvisation in the Brazilian style. Reflections on the New World is from themes of Dvorak's New World Symphony. Composed in Miami on Oct. 2002 for the authors 50th birthday.
Published by Pro Percussão BR/USA
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| Opus #36.1 |
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Brazilian Fantasy (Bach in Brazil) for 2 marimbas
(Bach in Brazil) for two marimbas (10,30 mins).
For one 5 octave and one low A marimba.
Composed in Miami on January 2004 and dedicated to Katarzyna Mycka. Premiered on April 13. 2004 at the University of Miami by the composer and Wan Chun Liao.
Published by Pro Percussao/USA.
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| Opus #36.2 |
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Brazilian Fantasy (Bach in Brazil) for Two Marimbas and String Orchestra
1 movement (13 mins).
Composed in Miami during the Summer of 2003. Sponsored by a University of Miami Research Award. Dedicated to Katarzyna Mycka.
(Rental Material)
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| Opus #37 |
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Concerto for Timpani and Orchestra (or Wind Ensemble)
For 5 timpani and string orchestra. (18 mins).
I) Bachroque, II) Aria, III) Horse Ride. For 5 Timpani & String Orchestra. Composed in Miami on Jun/Jul. 2003. Sponsored by a Grant from the University of Miami.
(Rental Material)
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| Opus #37.2 |
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Concerto for Timpani and Orchestra (piano reduction)
(18 mins).
I) Bachroque, II) Aria, III) Horse Ride.
For 5 Timpani and Piano.
Published by Pro Percussão BR/USA.
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| Opus #37.3 |
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Concerto for Timpani and Percussion Ensemble
(7-8 players) (18 mins).
Bachroque, II) Aria, III) Horse Ride.
(Glockenspiel, xylophone, vibraphone, marimba, bass marimba, chimes, celesta, temple blocks, cow bell, tambourine, susp. cymb, tam tam, wind chimes, triangle, drum set and double bass (optional).
Arranged in Miami on Jul/Aug. 2003 and dedicated to Shannon Wood. Premiered at the University of Miami on Oct.30.2003 with the U.M. Percussion Ensemble with the composer as conductor and Shannon Wood as soloist.
Published by Pro Percussao/USA.
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| Opus #37.4 |
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Concerto for Timpani and Wind Ensemble
(18 mins).
For 5 timpani and Wind Ensemble (picc, 2 fl, 2 ob, 2 clar, b. clar,
2 bsn, alt.sax, ten.sax, bar.sax, 4 fr.hn, 3 tpt, 3 tbn, euph, tba, d.bass, timp, 4 perc, optional celesta). Arranged for Wind Ensemble in 2004 and dedicated to Glenn Price and the University of Calgary Wind Ensemble.
(Rental Material)
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| Opus #38 |
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Midnight Talk (for Marimba and 2 Wooden Frogs) - PDF format
(4.30 mins)
For 5 octave marimba and 2 wooden frogs.
To be published by Pro Percussão BR/USA
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| Opus #39 |
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Two Pieces for Marimba and …….(other instrument) - PDF Format
I) Farewell Song (Canção da Despedida). Based on “My Dear Friend”.
II) Reunion Dance. This piece is scored for marimba and any other instrument in treble or bass clef. Composed in Miami 06. Premiered by Claudia Li Pereira Subieta (flute) and Franck Dentresangle (marimba) on May, 29,2007 at the L’Observatorie in Cergy-Pontoise, France.
To be published by Pro Percussão BR/USA.
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| Opus #40.1 |
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Serenata for Marimba/Vibraphone and Orchestra
(23 mins). for Marimba 5 octave (or low A), vibraphone (1 player) and String Orchestra.
Composed in Porto Alegre and Miami between 2005 and 2007 and dedicated to the composer's mother Nilsa Luzzi Rosauro. In 4 movements: I) The Continent, II) In Heaven, III) The Journey,
IV) Finale.
Premiered on June 2007 in Porto Alegre, RS, Brazil by the composer and the Orquestra do Theatro Sao Pedro, directed by Antonio Carlos Cunha.
Published by Pro Percussao BR/USA. (RENTAL MATERIAL)
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| Opus #40.2 |
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Serenata for Marimba/Vibraphone and Piano
(23 mins). for Marimba 5 octave (or low A), vibraphone (1 player) and piano.
Composed in Porto Alegre and Miami between 2005 and 2007 and dedicated to the composer's mother Nilsa Luzzi Rosauro. In 4 movements: I) The Continent, II) In Heaven, III) The Journey,
IV) Finale.
Published by Pro Percussao BR/USA.
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| Opus #40.3 |
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Serenata for Marimba, Vibraphone and Percussion Ensemble
(23 mins). for marimba 5 octave (or low A), vibraphone (1 player) and percussion ensemble ( 7 players): (Glocken, Xylo, Vibes, B.Marimba, Timpani, Percussion, Dr.Set, Piano). Premiered at the Fushimi Hall, Nagoya, Japan in Sept. 01.07 with the Nagoya College Perc. Ens.Yukie Kurihara, director.
To be Published by Pro Percussao BR/USA.
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| Opus #41 |
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Mother Earth, Father Sky
for Percussion Ensemble (8 players). This piece was written in June/July 2007 and was commissioned by the Empire State Youth Orchestra and Percussion Ensemble.
The idea is based on the mythology of the North American’s Indians.
Published by Pro Percussão BR/USA
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| Opus #42 |
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Cancao Da Despedida (Farewell Song)
For Vibrahone (plus accordion optional) and String Orchestra.
Arranged by Vagner Cunha.
This is an arrangement of "My Dear Friend" and can be performed as duo
"Vibraphon and Accordion and String Orchestra or just as Solo Vibraphone and String Orchestra.
Premiered on June 2007 in Porto Alegre, RS, Brazil by the composer and Antonio Carlos Cunha (accordion) with the Orquestra do Theatro Sao Pedro, directed by Joao Paulo Sefrin
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| Opus #43 |
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Sounds from Below The Mountain (marimba and guitar) - PDF Format
For duo Marimba and Guitar.Dedicated to Fumie and Takahiro Yamashita, this piece is based on “Yoimachigusa” by Tadasuke Ohno.
Composed in Miami on April 2008, and to be premiered by Fumie and Takahiro Yamashita.
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| Opus #44 |
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Andrea and the Wolf (vibes and marimba) - PDF Format
For duo Marimba and Vibraphone. Dedicated to Andrea and Wolfgang Schneider.
With side themes and citations from Roberto Marcon and Andrea Schneider.
Composed in Miami on May 2008, and to be premiered by the Schneider's family in Hannover, Germany.
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| Opus #45 |
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The Great Spirit of Earth and Sky
Commissioned by the Bishop Ireland High School, Randal Eyles director.
Im Process.
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Most of the above works can be purchased online.
Click on the work title for availability.
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