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Catalog of Works by Opus
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| Opus #1 |
3 IMPRESSÕES
PARA CLARINETE E PERCUSSÃO (5,30 mins).
For clarinet in Bb and percussion (vibraphone, 5 temple blocks,
2 caxixis, maracas, snare drum, suspended cymbal and 2 tom toms).
Composed in Brasilia, 1980 and dedicated to Lucia and Edu Morelenbaum.
Published by ECA-USP.
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| Opus #2 |
REFLEXOS
For solo percussion (7,30 mins).
(vibraphone, xylophone, guiro, 3 wood blocks, tam tam, metal chimes,
triangle, 2 susp. cymbals, 4 cow bells, 3 tom toms and bass drum).
Composed in Würzburg, 1980. Premier: Hochschule für Musik
Würzburg 1980 by the composer. Published by ECA-USP.
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| Opus #3 |
CENAS
BRASILEIRAS N. 1 e N. 2 (5,30 mins).
For percussion quartet (marimba, vibraphone, xylophone and drum
set). I) Baião, II) Frevo Composed in Würzburg, 1980 .
Dedicated and premiered by the "Würzburg Percussion Quartett"
in Würzburg, 1981. Published by Heinrichshofen Verlag, Germany
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| Opus #4.1 |
CADENCIA
PARA BERIMBAU (6 mins).
For percussion quartet (solo berimbau, marimba, congas or bongos
and bass drum). Composed in Würzburg, 1981. Premiered at the
IV Deutsche Percussion Symposium in Hammelburg 1981, by the composer
on berimbau, Mark Glentworth on marimba, Adel Shalaby on congas
and Mathias Schmitt on surdo. Published by Pro Percussão BR/USA
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| Opus #4.2 |
DUETO
PARA BERIMBAU E MARIMBA (6 mins).
Arranged in 1994 and premiered at Stadttheater Darmstadt, Germany
by the composer on berimbau and Stefan Eblenkamp on marimba. Manuscript/computer
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| Opus #5.1
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VARIAÇÕES
PARA QUATRO TOM TOMS (6,45 mins).
Theme and 6 variations Composed in Brasilia, 1984 and dedicated
to Marco Vidal Donato. Published by Pro Percussão BR/USA
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| Opus #5.2
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SONATINA
PARA CAIXA CLARA (4,30 mins).
I) Allegro, II) Cantabile, III) Rondó
Composed in Brasília, 1984. Dedicated and premiered by Wellington
Claudio Vidal. Published by Pro Percussão BR/USA .
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| Opus #6.1
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BRAZILIAN
POPULAR SUITE for solo marimba (9 mins).
I) Baião, II) Xote, III) Caboclinho, IV) Maracatú
Composed around 1982-84 in Brasília and dedicated to Renate Gaubatz
Premier: Hochschule für Musik Würzburg, 1985 by the composer.
Published by Music for Percussion Inc; USA
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| Opus #6.2
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BRAZILIAN
POPULAR SUITE for Percussion Ensemble (6-8 players), (12
mins).
I) Baião, II) Xote, III) Caboclinho, IV) Maracatú
Arranged in 1988 and premiered by Grupo de Percussão da UFSM
in Santa Maria, RS, Brazil.
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| Opus #7.1
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O SOL
É SEMPRE PONTUAL (6,30 mins).
For voice, marimba and percussion (3 tom toms, vibraphone and glocken).
Arranged in 1983 (original for voice, piano and percussion from
1979). Premier: Teatro Nacional de Brasília,1984 by the composer,
Denis B. Torre, tenor and Roberto M. Castro, percussion. Published
by ECA/USP
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| Opus #7.2
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O SOL
É SEMPRE PONTUAL (6,30 mins).
Version for vibraphone, marimba and percussion (1993). Manuscript/computer
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| Opus #8
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CENAS
BRASILEIRAS N. 3 (5,30 mins).
Samba for percussion sextet (Tambourine, maraca, shaker, bottle,
xylophone, claves, wood block, 2 snare drums, field drum, marimba,
vibraphone, cuica, agogo, frying pan, cymbal, pandeiro, 2 tom-toms
and bass drum). Composed in Brasília, 1984 and dedicated to George
Frock and University of Texas Percussion Ensemble. Premiered at
Stadttheater Würzburg, Germany 1984, by the Hochschule für
Musik Würzburg Percussion Ensemble directed by Prof.Siegfried
Fink. Published by Southern Music, USA.
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| Opus #9
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SONATA
LEBENSABSCHNITTE - Sonata Periods of Life. (12 mins). for
vibraphone and marimba (1 player)
I) Dawn, II) Childrens game, III) Chant, IV) Rondo.
Composed in Brasília,1984. Dedicated to Gabriel G. Rosauro. Premiered
by the composer at the Duke Ellington School of Music, Washington,
DC, USA,1985. Published by Zimmermann Verlag, Germany.
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| Opus #10
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A MESSAGE
TO A FRIEND (5 mins). for vibraphone (saxofone) and marimba.
Composed in Brasília, 1983-87 and dedicated to Mark Lutz. Premier:
1987, Montreal, Canada by Mark Lutz on marimba and Norman de Chenes
on sax. Published by Pro Percussão BR/USA
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| Opus #11
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3 PRELUDES
FOR SOLO MARIMBA (13,30 mins).
I) MI MENOR (E minor) - Brasília,1983 (original for guitar,1976).
Dedicated to Rose Braunstein. Premier: 1985, Teatro Nacional de
Brasília by the composer
II) LA MAIOR (A major) "Pró Villa" - Brasília, 1986. In
memory of Heitor Villa Lobos.
III) DO MAIOR (C major) - Santa Maria, 1987-88. Dedicated to Luiz
Anunciação. Premier: 1988, I Encontro Brasileiro de Percussão
at the UNESP by the composer. Published by Southern Music. Co, USA.
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| Opus #12.1
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CONCERTO
FOR MARIMBA AND ORCHESTRA (18 mins).
I) Saudação (Greetings), II) Lamento, (Lament), III) Dança
(Dance) IV) Despedida (Farewell).
Composed originally for marimba and String Orchestra in Brasília,
1986 .Dedicated to Marcelo G. Rosauro. Premier: 1986, by the composer
and Manitowoc Symphony Orchestra directed by Manuel Prestamo. WI,
USA. Manuscript/computer (rental material)
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| Opus #12.2
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CONCERTO
FOR MARIMBA AND ORCHESTRA Piano Reduction
I) Saudação (Greetings), II) Lamento, (Lament), III) Dança
(Dance), IV) Despedida (Farewell)
Premier: 1986, Teatro Nacional de Brasília by the composer and Ana
Amelia Gomide on piano. Published by Pro Percussão BR/USA
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| Opus #12.3
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CONCERTO
FOR MARIMBA AND PERCUSSION ENSEMBLE
In 4 movements. Arranged
for marimba solo and percussion sextet (Bass marimba, vibraphone,
xylophone, glockenspiel, chimes, 5 timpani, drum-set, cow bell,
triangle, tambourine, tam tam and cymbals) Premier: I, II and IV
movs. in 1989 by the composer and Percussion Ensemble of Meistersinger-Konservatorium
Nürnberg, directed by Hermann Schwander. III Mov. was arranged
and premiered in 1995 in Manchester, England with Edward Cervenka,
soloist and the Percussion Ensemble of the Royal Northern College
of Music", directed by Ian Wright. Published by Pro Percussão
BR/USA
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| Opus #12.4 |
CONCERTO FOR MARIMBA AND WIND ENSEMBLE (18 mins)
In 4 movements. Arranged for marimba solo and wind ensemble by Thomas McCutchen (Pic, 2 Flt, 2 Ob, Eng. Hrn, 2 Clar, B.Clar, Alt.Sax, Ten.Sax, Bar.Sax, 2 Bsn, C.Bsn, 4 Frn. Hrn, 3 Trpt, 3 Trbn, Euph, Tba, D.Bass, timp, 4 Perc.)
(Rental Material)
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| Opus #12.5 |
MARIMBA CONCERTO SUITE for solo marimba (5 mins)
Arranged in Miami 2003 and premiered by Branden Lane at PASIC 2003 in Columbus, OH.
Published by MalletWorks/Pro Percussao/USA
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| Opus #13
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CENAS
AMERINDIAS # 1 and # 2 for solo percussion. (9,30 mins).
I) BRASILIANA (marimba, 5 temple blocks, 3 wood blocks and wood
chimes)
II) ELDORADO (vibraphone, 4 susp.cymbals, cow bell, triangle and
crotale)
Composed in Brasília, 1986-87 and dedicated to Prof. Siegfried Fink
Premiered by the composer in 1988 at the I Encontro Brasileiro de
Percussionistas at UNESP, Sao Paulo, Brazil. Published by Pro Percussão
BR/USA
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| Opus #14
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MITOS
BRASILEIROS (Brazilian Myths) for percussion quartet (17
mins).
I) Curupira, II) Iara, III) Saci Perere, IV) Uirapurú, V) Mula
sem Cabeça. (bongos, xylophone, wood chimes, thunder sheet,
bird whistles, guiro, marimba, snare drum, 3 wood blocks, lotos
flute, 2 pans, ocean drum, vibraphone, bass drum, tam tam, field
drum, ratchet, auto horn, conga, 5 temple blocks, wald teufel, 4
tom toms, glockenspiel, cow bell, triangle, cuica, whistle, castanets
and coconut shell) Composed in Santa Maria 1988 and dedicated to
"Percussion Art Quartett" from Germany. Premier: 1989
in Würzburg, by the PAQ. Published by Pro Percussão BR/USA
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| Opus #15
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CHORO
BACHIANO (5 mins).
For solo marimba Composed in Santa Maria 1989 (original theme for
guitar from 1976) Premier: 1991, Manchester, England by Gilmar Goulart
Published by Pro Percussão BR/USA
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| Opus #16
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BEM-VINDO
(7,30 mins).
For solo vibraphone (5 mallets) Composed in Santa Maria 1988-89
Dedicated to Ricardo G. Rosauro. Premiered in Rio de Janeiro by
the composer (XII Panorama da Musica Brasileira), 1989. Published
by Pro Percussão BR/USA |
| Opus #17.1
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RHAPSODY
FOR SOLO PERCUSSION AND ORCHESTRA (30 mins). Solo percussion
(vibraphone, 2 tom toms, snare drum, repinique, 4 susp.cymbals,
triangle, 2 cow bell, guiro, castanets, 5 temple blocks, 2 wood
blocks, 3 glasses and orchestra (2 Fl, 2 Ob, 2 Cl, 2 Bn, 4 Fr.Hr,
2 Trpt, 2 Trb, Tba,Perc,Timp, Strings) Composed in Miami, 1991-92
in memoriam to the composer`s father Alcides Coelho Rosauro. Premier:
1994, International Percussion Festival in Opole, Poland by the
composer and the Opole Symphony Orchestra under the direction of
Joseph Herter. Manuscript/computer (rental material)
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| Opus #17.2
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RHAPSODY
FOR SOLO PERCUSSION ( Piano Reduction) (30 mins). Premiered
at the University of Miami 1992, by the composer and Alan Mason
on piano. Published by Pro Percussão BR/USA
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| Opus #17.3
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RHAPSODY
FOR SOLO VIBRAPHONE AND PERCUSSION ENSEMBLE (23 mins). for
vibraphone and percussion octet (7 players and piano) Arrangement/premier:
1994, by the composer and Percussion Ensemble of the Meistersinger-Konservatorium
Nürnberg, Germany directed by Hermann Schwander. Manuscript/computer
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| Opus #17.4
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MODAL
VOYAGE (8 mins). For marimba and vibraphone.
Arranged in Santa Maria 1994 Premiered in 1994 at the Stadttheater
Darmstadt, Germany, with the composer on vibrapnone and Stefan Eblenkamp
on marimba. Manuscript/computer
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| Opus #17.5
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RHAPSODY
FOR SOLO PERCUSSION AND JAZZ ENSEMBLE For solo percussion
and big band. (26 mins). ( Fl, 5 Sax, 5 Trpt, 4 Trbn, Piano, Bass.
Guit, Timp. and 3 Perc.) Arrangement commissioned by the "Amazonia
Jazz Ensemble". Premier by the composer and Amazonia Jazz Ensemble
directed by Andy Pereira in 1998, on the Teatro da Paz em Belém,
PA, Brazil. Manuscript/computer
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| Opus #18
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FRED
NO FREVO (4,30 mins).
For marimba quartet (optional percussion ) Composed in Miami, 1992
and dedicated to Fred Wickstrom. Premier: 1992, University of Miami
by Merged Marimbas. Published by Pro Percussão BR/USA
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| Opus #19
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IVITORY
RETÃN (4,30 mins).
For mixed chorus or mallets quartet and percussion (optional) Composed
in Santa Maria, 1993 and dedicated to "Coral da UFSM".
Premier: Itaimbé Palace Hotel, 1993, Santa Maria, RS Manuscript/computer
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| Opus #20
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VARIAÇÕES
SOBRE UM TEMA DO RIO GRANDE (8,30 mins).
For marimba solo / Theme and 7 variations Composed in Santa Maria
1993 and dedicated to Gilmar Goulart. Premier: 1993, by the composer
at Itaimbé Palace Hotel, Santa Maria, RS, Brazil. Published
by Pro Percussão BR/USA
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| Opus #21
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PRELUDE
AND BLUES for vibraphone solo (7 mins).
Composed in Santa Maria 1993 and dedicated to Renato Pereira Premier:
1995, by the composer at the Royal Danish Music Academy, Copenhaven,
Denmark. v by Pro Percussão BR/USA
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| Opus #22
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5 CIRANDAS
BRASILEIRAS 8,30 mins.
For marimba and vibraphone Composed in Santa Maria 1994 (original
for vibrafone and violin from 1981) Premier: 1994, Vale Veneto,
RS, Brazil with Jenny Ottinger on vibraphone and Clarissa Severo
de Borba on marimba. Published by Pro Percussão BR/USA
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| Opus #23
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Sonata
para Marimba Solo in 3 movs (manu /unfinished)
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| Opus #24.1
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CONCERTO
FOR VIBRAPHONE AND ORCHESTRA (19 mins).
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto (Fl, Ob, Cl,
Bn, 2 Hrns, Perc. and Strings)
Composed from the end of 1995 to February 1996. Premier in 1996
in V ENCOMPOR by the composer and Orquestra Unisinos directed by
maestro José Pedro Boessio. São Leopoldo, RS 1996. Manuscript/computer
(rental material)
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| Opus #24.2
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CONCERTO
FOR VIBRAPHONE AND ORCHESTRA (piano reduction) (19 mins).
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto
Premier in 1996 in Japan Percussion Festival in Tokio and Osaka
by the composer and Misa Nakano on piano.
Published by Pro Percussão BR/USA
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Opus #24.3
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CONCERTO FOR VIBRAPHONE AND PERCUSSION ENSEMBLE
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto
for solo vibraphone and percussion sextet (marimba, vibrafone,
xylophone, glocken, 4 timpani, percussion and drum set.) Premiered
at PASIC 96 in Nashville, TN, USA, by the composer and the Percussion
Ensemble of the Oklahoma State University, directed by Wayne Bovenchen.
Published by Pro Percussão BR/USA
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| Opus #24.4 |
CONCERTO FOR VIBRAPHONE AND WIND ENSEMBLE
I) Recitativo-Allegro, II) Acalanto, III) Vivo-Presto for solo vibraphone and wind ensemble. Arranged by Rodrigo Morte and Ney Rosauro. (Pic, 2 Flt, 2 Ob, Eng. Hrn, 2 Clar, B.Clar, 2 Alt. Sax, Ten. Sax, Bar. Sax, 2 Bsn, C.Bsn, 4 Frn. Hrn, 3 Trpt, 3 Trbn, Euph, Tba, D.Bass, timp, 3/4 Perc.)
(Rental Material)
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| Opus # 25
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2
BRAZILIAN STEEL DANCES (12 mins).
For Steel Band (5 parts)
Interlúdio, I) Tempo de Baião, Interlúdio, II) Tempo
de Samba
Composed in Santa Maria in June 1996 Commissioned by Dr. John Wooton
and the University of Southern Mississipi Steel Band. Premier in
18 of April 1997 in USM, USA.
Published by Pro Percussão BR/USA
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| Opus # 26
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JAPANESE
OVERTURE - Percussion Ensemble (8 players) (6,30 mins).
Composed in Santa Maria in January 1997. Comissioned by the "Japan
Percussion Association" Premiered by the Okada Percussion Ensemble
at the 1997 Japan Percussion Festival, Tokyo, Japan. Published by
Pro Percussão BR/USA
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| Opus #27
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THREE
MOODS FOR PAN for steel drum solo or marimba 2 mallets (7,30
mins).
I) Baroque, II) Meditative, III) Impacient
Composed in May 1997 in Santa Maria Published by Pro Percussão
BR/USA
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| Opus #28
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SEVEN
BRAZILIAN CHILDREN SONGS - marimba solo
(11,30 mins).
I) A Canoa Virou, II) Ciranda Cirandinha, II) Pirulito que bate
bate, IV) Terezinha de Jesus, V) O Cravo brigou com a Rosa, VI)
A Moda da tal Anquinha, VII) Vamos Maninha
Composed in Santa Maria, June 1997 and dedicated to Clarissa Severo
de Borba.
Published by Pro Percussão BR/USA
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| Opus #29.1
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BRAZIL
500 (Alvorada para o Terceiro Milenio)
in 12 movements. (40 mins).
(Flt, 2 Fl, 2 Ob, 2 Cl, 2 Bsn, 4 Fr.Hrns, 2 Trpt, 3 Trb, Tba, Piano, Harp, 3 Perc,Timp. and Strings). Composed in Santa Maria,
January.to March 1999. Premiered in Brasilia, June 2000 by the composer and Orquestra do Teatro Nacional de Brasilia directed
by Emilio de Cesar Manu/Computer. (Rental Material)
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| Opus #29.2
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SUITE BRAZIL 500 for Solo Percussion and Piano.
In 7 movements. (22 mins).
Version dedicated to Diane and Nick Petrella.
Published by Pro Percussão/MWM, USA |
| Opus #29.3
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SUITE BRAZIL 500 for Solo Percussion and Percussion Ensemble.
In 7 movements. (22 mins).
For 9 players (in progress)
To be Published by Pro Percussão/MWM, USA |
| Opus #29.4
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SUITE BRAZIL 500 for Solo Percussion and Wind Ensemble.
In 7 movements. (22 mins)
(Pic, 2 Fl, 2 Ob, Eng.Hrn, Cl. Eb, 4 Cl, B.Cl, 2 Bsn, C.Bsn, 2 Alt.sax, Ten.Sax, Bari Sax, 4 Fr.Hrn, 3 Trpt, 3 Trbn, Euph, Tb,
4-5 Perc, Tmp, D.Bass. Piano, Harp). Arranged in Miami 2001 and dedicated to Gary Green and the U.M. Wind Ensemble. Premiered
at the Festival Miami 2001 by the composer and the U.M. Wind Ensemble. (Rental Material)
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| Opus #30
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VARIATIONS
OVER EVELYN GLENNIE'S A LITTLE PRAYER for solo marimba (13
mins).
Composed in Santa Maria around Sept-Nov.1999 and dedicated to Katarzyna
Micka. Premiered by the composer at the festival "Marimba no
Terceiro Milenio", Chiapas, Mexico, Dec.1999 Published by Pro
Percussão/MalletWorks Music, USA.
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| Opus #31
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VIBES
ETUDES AND SONGS .. - First Dampening Etude, Second Dampening
Etude, First steps, Etude in Blues, Etude in Bossa, Minor Blues,
My Dear Friend (Miami 2001). Published by Pro Percussão/MalletWorks
Music, USA.
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| Opus #32.1 |
TOCATA
E DIVERTIMENTO (8,30 mins). For vibraphone and guitar. Composed
in Miami in December 2000 and dedicated to Igor Lesnic Premiered
at the 2001 Music Bienal of Zagreb, Croatia in 04.24.2001, by Igor
Lesnic and Goran Listes on guitar Published by MalletWorks Music,
USA.
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| Opus #32.2
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TOCATA
E DIVERTIMENTO for vibraphone and marimba (8 mins).
Arranged from the original for guitar and vibes in Feb.2001. Dedicated
to Jeff Moore and Doug Walter Published by MalletWorks Music, USA.
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| Opus #33.1
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VALENCIA
for Percussion Ensemble (12 players) (6,30 mins).
(Glockenspiel, xylophone, vibraphone, chimes, 2 marimbas, B.mar, D.bass, 2 hands clapping or temple blocks, catanets, cajon and drum set). Composed in Miami in 2002 and dedicated to the Ju Percussion Ensemble. Premiered by the U.M. Percussion Ensemble at the PASIC 2002 in Nashville ,TN. Published by MalletWorks
Music, USA.
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| Opus #33.2
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VALENCIA
for solo marimba (6,30 mins).
Arranged in Miami 2002 and premiered on June 2003 by the composer at the 3rd. International Marimba Festival in Chiapas, Mexico.
Published by MalletWorks Music, USA.
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| Opus
#34.1
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CONCERTO
#2 FOR MARIMBA AND ORCHESTRA (23,30 mins).
For marimba 5 octaves and Orchestra.
I) Water
Running in High Mountain II) Reflections and Dreams III) Walking
on Clouds. (2 Fl, 2 Ob, 2 Cl, 2 Bsn,
4 Fr.Hrns, 2 Trpt, 2 Trb, Tba, Perc,Timp. and Strings).
Composed in Miami from 06. 2001, to 20.02.2002 (sponsored
by a grant from the University of Miami). Dedicated to Keiko Abe.
Premiered on Apr. 4th 2003 by Katarzyna Mycka and the Rubinstein
Philarmonic Orchestra Lodz/Poland, directed by Dariusz Mikulski.
Published by Pro Percussão BR/USA
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| Opus #34.2 |
CONCERTO #2 FOR MARIMBA (Piano Reduction) (23,30 mins).
For marimba 5 octaves and Piano.
I) Water
Running in High Mountain II) Reflections and Dreams III) Walking
on Clouds.
Published by Pro Percussão BR/USA
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| Opus
#34.3 |
CONCERTO
#2 FOR MARIMBA AND PERCUSSION ENSEMBLE (23,30 mins).
I) Water
Running in High Mountain II) Reflections and Dreams III) Walking
on Clouds.
(Glocken, Xylo, Vibes,
Marimba, Timpani, Percussion, Dr.Set, Piano, D.Bass). Premiered
on Oct. 8th 2002 in Tokyo with the author and the Toho Gakuen School
of Music, directed by Keiko Abe.
Published by Pro Percussão
BR/USA
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| Opus
#35
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REFLECTIONS
ON THE NEW WORLD (6,00 mins).
For solo vibraphone.Theme and 3 variations. Composed in Miami on
Oct. 2002 for the authors 50th birthday.
Published by Pro
Percussão BR/USA
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| Opus #36.1 |
BRAZILIAN FANTASY (Bach in Brazil) for Two Marimbas and String
Orchestra. 1 movement (13 mins).
Composed in Miami during the Summer of 2003. Sponsored by a University of Miami Research Award. Dedicated to Katarzyna Mycka.
(Rental Material
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| Opus #36.2 |
BRAZILIAN FANTASY (Bach in Brazil) for two marimbas (10,30 mins).
For one 5 octave and one low A marimba.
Composed in Miami on January 2004 and dedicated to Katarzyna Mycka. Premiered on April 13. 2004 at the University of Miami by the composer and Wan Chun Liao.
To be published by Pro Percussao/USA.
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| Opus #36.3 |
BRAZILIAN LANDSCAPE for solo vibraphone (5,30 mins)
Arranged in Miami between 2003 and 2004.
To be published by Pro Percussao/USA.
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| Opus #37.1 |
CONCERTO FOR TIMPANI AND ORCHESTRA (Strings) (18 mins).
I) Bachroque, II) Aria, III) Horse Ride. For 5 Timpani & String Orchestra. Composed in Miami on Jun./Jul. 2003. Sponsored by a Grant from the University of Miami.
(Rental Material)
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| Opus #37.2 |
CONCERTO FOR TIMPANI (Piano Reduction) (18 mins).
I) Bachroque, II) Aria, III) Horse Ride.
For 5 Timpani & Piano.
Published by Pro Percussão BR/USA
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| Opus #37.3 |
CONCERTO FOR TIMPANI AND PERCUSSION ENSEMBLE (7-8 players) (18 mins)
Bachroque, II) Aria, III) Horse Ride.
(Glockenspiel, xylophone, vibraphone, marimba, bass marimba, chimes, celesta, temple blocks, cow bell, tambourine, susp. cymb, tam tam, wind chimes, triangle, drum set and double bass (optional).
Arranged in Miami on Jul/Aug. 2003 and dedicated to Shannon Wood. Premiered at the University of Miami on Oct.30.2003 with the U.M. Percussion Ensemble with the composer as conductor and Shannon Wood as soloist.
Published by Pro Percussao/USA.
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| Opus #37.4 |
CONCERTO FOR TIMPANI AND WIND ENSEMBLE (18 mins)
Bachroque, II) Aria, III) Horse Ride.
(Pic, 2 Fl, 2 Ob, 2 Cl, B.Cl, 2 Bsn, Alt.sax, Ten.Sax, Bari Sax, 4 Fr.Hrn, 3 Trpt, 3 Trbn, Euph, Tb, 3-4 Perc, and D.Bass)
Arranged in Miami on May/Jun. 2004 and dedicated to Glenn Price and the University of Calgary Wind Ensemble.
(Rental Material)
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| Opus #38 |
MIDNIGHT TALK (4.30 mins)
For Marimba and 2 wooden frogs.
To be published by Pro Percussão BR/USA |
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| Most of the above
works can be purchased online at www.malletworks.com |
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